Without the sea, Acadia would be like a gem without a setting. Each headland, bay, and inlet reveals the majestic interface between sea and land.... The sea destroys and displaces, but it also builds. What the sea takes from one point on the coast may be added to another. With the irresistible energy of hammer blows, waves dislodge rock particles, smooth them, and deposit them at the head of nearly every cove. In still other places, the dispossessed stones and cobbles become gravel bars and shoals. Bar Harbor was named for just such a bar, which connects it to Bar Island.
Because the coast is [geologically] young, sandy shores are rare. But at Sand Beach, shore currents have shifted the tons of sand that the sea eroded from the rocks. Mixed into the sand are broken bits of shells and the skeletons of crabs, mussels, sea urchins, and other marine life.
[A] story that began with sediments piled on the floor of a primordial sea closes for the moment with those washed ashore at Sand Beach. But in reality there is no beginning and no ending. Rock becomes sand, and sand becomes rock. The granite of Cadillac Mountain, the cobbles at Hunters Cove, even a pinch of grit at Sand Beach bears evidence of this endless cycle. For indelibly written on the landscape, in bold stokes or fine scratches, is a script that tells the astonishing story of mountain ranges that rose and fell, of ice that sealed in a continent, and of coastlines that emerged and vanished. Source
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207 Paintings post everyish Tuesday around 5:30am EST on both The Maine and jessicaleeives.com. Save thirty percent on any 4x4 inch oil on panel painting by making your purchase within the first week of its posting. Instead of $300 pay just $207, a number which just happens to be the Maine state area code.
Tuesday 207 Paintings are exclusive to The Maine. They depict the land, the light and the people that make this state a state of wonder. Jessica is editor of The Maine and writes occasionally as The Outsider.
