Q & A Over At vandervenstudios.com

I've been the featured artist for the month of October on the vandervenstudios.com blog. Many thanks to Siem van der Ven, my high school art teacher and a man who has cultivated the skill and enthusiasm of countless young artists!

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Name: Jessica Ives

Year of HS graduation: 1999, when my last name was Stammen

Current Location: Damariscotta, Maine

What fills your days?

Learning. Whether I’m painting, swimming, stretching, reading, dancing, cutting a carrot, or driving in the car with my husband, I think it’s good to remember that it’s all learning, that I’m learning to see, and that I’m learning to see more more beautifully every day. I have a sneaking suspicion that how I see and why I see determines what I see. And by learning to see I mean cultivating a capacity that includes, but goes far beyond the visual. Yes, I believe this kind of learning can happen even, and especially, when cutting carrots.

Also, I keep these words by Baba Haridass pinned to my studio wall, as a reminder of the simple things worth filling a day with:

Work honestly,

meditate everyday,

meet people without fear

and play.

What’s most important to you about what you do?

That I love what I do is, to me, the most important thing about what I do. Any other reason I would or could give — as honest, as impressive, or as articulate as it could be — must be secondary to this. We live in a time and place where reason and wordy whys burden everything. Especially art. Love, beauty, enjoyment — as experiences, in and of themselves — are not so much valued. But I agree with Joseph Campbell who has said, “People say that what we are seeking is a meaning for life. I don’t think this is what we’re really seeking. I think what we’re seeking is an experience of being alive.”

What impossible dreams or goals do you keep reaching toward?

Tim Keller has said, “You should never go to God because he’s useful. Go to God because he’s beautiful. And yet there’s nothing more useful than finding God beautiful.” I love the paradox in this! I love the mystery and the adventure that it implies. I love that it turns me on my head and puts the world upside down. I think learning to see beauty, without a need for utility, is a goal worth living, and something that will take a lifetime.

Also, I’d like to read all the books I own. This, too, might take a lifetime. I need to stop buying books!

What do you need to keep going?

Beauty, lots of time spent outside playing, and a healthy capacity to say no.

Further comments?

I prefer to paint on the floor! I squat in front of my panels in the manner that most the world’s population sits and rests, butt to heels. Chairs sort of bum me out.

Into The Light, 20" x 30" oil on panel

Into The Light, 20" x 30" oil on panel

Working on the floor in the studio

Working on the floor in the studio

What life is asking

Floating is a brand new 20" x 30" oil on panel.

Floating is a brand new 20" x 30" oil on panel.

13. No good life is possible unless it is organized around a vocation. If you try to use your work to serve yourself, you’ll find your ambitions and expectations will forever run ahead and you’ll never be satisfied. If you try to serve the community, you’ll always wonder if people appreciate you enough. But if you serve work that is intrinsically compelling and focus just on being excellent at that, you will wind up serving yourself and the community obliquely. A vocation is not found by looking within and finding your passion. It is found by looking without and asking what life is asking of us. What problem is addressed by an activity you intrinsically enjoy?

From The Road to Character by David Brooks